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EXCLUSIVE

The Silent Manga Artist (continued)

Q:
 
Will DARK ANGEL be animated?

AK:

I'd love it, but first I should take the manga out of hiatus (laughs). We're adjusting things and working on this right now.

Q:

Did you say SILENT MÖBIUS is ending?

AK:

Yes, it's ending in September. We're working on trying to get the last story turned into a movie, but I don't know if that will happen yet.

Q:

Will there be a manga adaptation of the NADESICO movie?

AK:

The movie is its own storyline; there are no plans to make it into a manga. The TV and manga versions of NADESICO have similar characters but go in to different directions.

Q:

What are your favorite science fiction movies, Japanese or American?

AK:

I like the old Toho SFX movies a lot, and for the US, I'd have to say STAR WARS, STAR TREK: THE NEXT GENERATION and DEEP SPACE NINE and BATMAN. I love American movies, there are too many to list.

Q:

Have you been influenced by any foreign artists?

AK:

Many. Frank Miller, Jim Lee. I seem to be greatly influenced by American artists.

Q:

Are there any science fiction authors you like?

AK:

I don't read much text. I do like Edmond Hamilton and Arthur C. Clarke.


Q:

What do you see as the role of computers in the future of anime?

AK:

I guess the number one benefit is that it's kind to the earth, since you don't have to use cels. But let me apologize to all the cel collectors for saying that. Cels, though, are nothing but the waste products of creating animation.

Q:

Do you have any hobbies?

AK:

Sleep is my number one hobby. If I'm not sleeping, I'm working. I like watching movies and collecting action figures and statues.

Q:

What do you think of Comic Con and the US?

AK:

It's fabulous. The attendees are great. In Japan, I feel this aura of gloom around convention attendees. Everyone has a very strong desire to buy things—it's sort of scary. Here it is friendly and more relaxed.

Q:

Why don't you like publicity?

AK:

The reason I don't appear much is because I'd rather have my work out there than myself. Yeah, that's it.

Q:

Have you ever considered selling your original art like American artists do?

AK:

In Japan, the system is very different than in the United States. When art is printed, it is automatically copyrighted and the artists get paid for sales of comics, so they have no need to sell original art. Also, in Japan, copyrights are shared with the publishing company and the artist, so one creator's characters don't get drawn by many artists.

Q:

What's your favorite project you've worked on?

AK:

SILENT MÖBIUS. But I put extra amounts of effort into all of my characters and stories, so it's hard to just say that that's my favorite.

Q:

Which of your characters is most like you and why?

AK:

Oh, I don't think any of them are like me. Everything is out of my imagination.

Q:

How many pages do you draw per month?

AK:

Right now, it's approximately 75 pages/month. When I was young and energetic, I could do 100 a month. But now I'm an old man, so my body won't do what it used to.

Q:

Where did the name for Studio Tron come from?

AK:

Not from the movie TRON. There's a Tron Systems, I took it from there. It's very complicated to explain; I'm not sure I can. I'm sure I wrote it down in the Studio Tron art book somewhere.

Q:

Do you like nurse uniforms?

AK:

Well, I don't hate them. I thought it would be nice to use because it doesn't show a lot of flesh. It does seem to tear a lot, though, which is a sales point. (laughs)
  In the comics, her hat has a red cross on it, but in the anime it won't be there. The Red Cross denied us permission to use it.
  But seriously, that's just one of the issues we had to deal with when making a TV series. There was a whole set of new problems. For example, some people didn't like the fact that Narutaki, a child, carries and uses a gun. I thought I might have to take it away from him, but then there would be no story left. So we made an important decision: he will never point or fire the gun at people. Robots are ok, though. Also, the bullets in his gun are made of a special fiber. If they hit soft material, there is no impact, but if it hits something hard, it will go right through it.

Q:

Any closing thoughts for your US fans?

AK:

I was unsure about appearing at a US convention. Having done so, I am very pleased. One thing that impressed me the most was how polite the fans are. Comic Con is so big, Japan needs to take a lesson from this.
  If Viz will let me, I'd like to come again next year. I was very glad to have the chance to meet all of you. Thank you very much.

Images copyright © Studio Tron / Shueisha, Narutaki Detective Office; copyright © Studio Tron, Kadokawa Shoten / Bandai Visual, Sotsu Agency, TV Tokyo; Copyright Asamiya Kia / Xebec / Nadeisco Project, TV Tokyo

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